Leica spared no expense in making the Leicaflex SL2 (and actually sold it at a loss), so it makes sense that it appeals to hardcore camera nerds who prize quality and prestige above all else.īut as great as the Leicaflex SL2 is, its R system lenses arguably steal the show.
What the camera lacks in modularity and features it more than makes up for in the quality of each and every component, the cleanliness of its design, and consummate mechanical excellence. If you’re a fan of luxury, elegance, and simplicity, the Leicaflex SL2 is the mechanical SLR to get. Nowhere is this more obvious than it is in the Leicaflex SL2. But this is Leica we’re talking about – their fanatical dedication to quality and blatant disregard for expense means that even their mistakes are spectacular.
#Best 35mm film series#
Leica has always hung their hats on their legendary Leica M series rangefinder cameras, and their SLRs are more-or-less seen by many as amusing sideshows. …that is, unless you’re a lover of the Red Dot. But if you want the very best with no compromises, the F2 really is the only choice… If that seems like too much an ask, read on. It’s a big camera for the 35mm format, and one must be willing to make it the centerpiece of their shooting setup. The only real caveat to the Nikon F2 is its size and weight.
#Best 35mm film pro#
And as a piece of history it still reigns supreme as Nikon’s finest creation, and the camera that established once and for all Nikon’s dominance of the pro SLR market in the 1970s. Its specs (especially with the added DP-12 finder) are more than enough for the demands of any shooter, and its modularity and nearly endless lens and accessory roster means it can be configured for any situation imaginable. As an everyday shooter it provides an easy, comfortable, and luxurious shooting experience while also providing reliability unmatched by pretty much every other camera ever made. And I still say so – it’s a near perfect camera. In my review of the Nikon F2 I called it The Standard of mechanical SLRs. We’ll start off with a classic, the Nikon F2. Click through to learn more about your favorite models on the list, and if you’d like to see every camera we’ve ever reviewed, well, here’s that index page. You’ll find links to those reviews within each of the brief descriptions below. In addition to the few paragraphs on each model included on this list, we’ve also written extensive reviews of each of these cameras. With this in mind, I’ve compiled a master list of ten cameras which I feel best represent the genre “Mechanical Camera.”
#Best 35mm film how to#
As such, any fan of vintage cameras should know how to shoot one – and maybe own a couple. Some of the greatest classic cameras of all time have been mechanical SLRs. Not only do they provide greater control over the fundamentals of photography, they give users access to some of photography’s legendary lenses.
If used correctly and creatively, the humble mechanical SLR rewards like no other.
#Best 35mm film professional#
These bare-bones, all-manual cameras can bring seasoned vets to their knees and make professional photographers out of simple snap shooters. Simply put – if you can crank a camera’s film advance with your thumb, press the shutter release, and take a picture without batteries, you’re likely shooting a mechanical camera. This action builds up tension (usually in springs), the release of which then cycles the mechanisms needed to make a photo. These cameras instead charge their mirrors, shutters, and other mechanisms by way of human-powered movements of levers or knobs. Mechanical SLRs are single lens reflex cameras which can function without electrical power (usually supplied by batteries).
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